Archive for December, 2011

Toast of the Nation

Wednesday, December 21st, 2011

WNCU will ring in the new year with our yearly broadcast of Toast of the Nation.

It begins at 8pm on Dec. 31 and goes until 4am on Jan. 1 with an all-star lineup for the entire program.

8pm – The Julian Lage Trio with Larry Grenadier and Eric Harland
Live from Berklee Performance Center, Berklee College of Music, Boston, produced by WGBH Boston.

9pm – Highlights from the Newport Jazz Festival

10pm – A Tribute to Billy Taylor Featuring Music Director Geri Allen, Toshiko Akiyoshi, Cyrus Chestnut, Danilo Perez, Christian Sands, trumpeter Terence Blanchard, vocalist Carmen Lundy and more…From the Eisenhower Theater of the John F. Kennedy Center for the Performing Arts in Washington, DC.

11pm – Wynton Marsalis
Live from Dizzy’s Club Coca-Cola at Jazz at Lincoln Center, with a special

12:30am – Sing The Truth! Lizz Wright, Angelique Kidjo, and Dianne Reeves
From the 2011 Detroit Jazz Festival, the music of Mahalia Jackson, Miriam Makeba, Tracy Chapman, Ani DiFranco, Abbey Lincoln, Odetta and more, Musical Director TERRI LYNE CARRINGTON.

1:30am – The Junior Mance Quintet
From Boppin’ at the Vineyard with KUVO, Denver.

2am – The Billy Childs Quartet with Bob Sheppard, Tim Lefevbre and Gary Novak
Live from The Blue Whale in Los Angeles with MC Dee Dee Bridgewater of JazzSet.

3:30am – Highlights from Newport

4am – Julian Lage, Larry Grenadier, Eric Harland in Boston

5am – The Party’s Over Wbgo Repeats Toast of the Nation New Year’s Day

Holiday Schedule at WNCU

Thursday, December 1st, 2011

Saturday, December 24
Get ready for an entire day of holiday music produced by your favorite weekly hosts. Be prepared for some weird, funny, off beat, and funky holiday music.

8 a.m. – 12 p.m., Holiday Jazz from WNCU
12 p.m. – 4 p.m., 8 Track Flashback with Jim Davis
4 p.m. – 7 p.m., Funk Show with Howard Burchette
7 p.m. – 10 p.m., Bull City Blues with Dave Tripp
10 p.m. – overnight, Jazz with Bob Parlocha

Sunday, December 25

6 a.m. – 12 p.m., Holiday Gospel Live with hosts Brother Walter Hatcher and Carolyn Satterfield

12 p.m. – 1 p.m., Christmas with the Morehouse/Spelman Glee Clubs Special
One of the great holiday traditions in America, the choirs of Morehouse and Spelman Colleges.  Two of the most prestigious historically black institutions in the nation get together to present a spine-tingling concert program. This year’s program features the best works of the last several years. It’s a joyous celebration of the schools’ tradition of singing excellence, with their trademark mixture of spirituals and carols. Korva Coleman will host.

1 p.m. – 2 p.m., A Child is Born: Geri Allen Piano
From Peabody award-winning producer Jim Luce, this is a spiritual celebration of Christmas with jazz pianist Geri Allen and her new recording, A Child is Born, featuring Geri on the fazioli piano.  Special appearances by Dr. Dwight Andrews, composer, musician, educator, and minister; Kunle Mwanga, producer; Kabuya Pamela Bowens, artist and creator of the “Black Madonna” and others. Jim Luce will host.

2 p.m. – 3 p.m., Holiday Jazz from WNCU

3 p.m. – 4 p.m., Jazz Piano Christmas #22
NPR Music is onstage once again at the John F. Kennedy Center for the Performing Arts for another live incarnation of one of our most popular programs. This year’s Jazz Piano Christmas features jazz greats Monty Alexander, Helio Alves, Freddy Cole, Renee Rosnes, and Jessica Williams.  Felix Contreras will host.

4 p.m. – 6 p.m., Holiday Jazz
6 p.m. – 7 p.m., Marian McPartland’s Piano Jazz
7 p.m. – 10 p.m., Holiday Jazz from WNCU
10 p.m. – overnight, Jazz with Bob Parlocha

Monday, December 26

Regular program schedule returns

Edward “Sonny” Stitt

Thursday, December 1st, 2011

Edward “Sonny” Stitt (February 2, 1924–July 22, 1982) was an American jazz saxophonist. He was a quintessential saxophonist of the bebop idiom. He was also one of the most prolific saxophonists, recording over 100 records in his lifetime. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern, due to his relentless touring and his devotion to jazz.

Stitt was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. Stitt had a musical background; his father taught music, his brother was a classically trained pianist, and his mother was a piano teacher. His earliest recordings were from 1945, with Stan Getz and Dizzy Gillespie. He had also experienced playing in some swing bands, though he mainly played in bop bands. Stitt featured in Tiny Bradshaw’s big band in the early forties.

Stitt played alto saxophone in Billy Eckstine’s big band alongside future bop pioneers Dexter Gordon and Gene Ammons from 1945 until 1949, when he started to play tenor saxophone more frequently. Later on, he notably played with Gene Ammons and Bud Powell. Stitt spent time in a Lexington prison between 1948-49 on account of selling narcotics.

Stitt, when playing tenor saxophone, seemed to break free from some of the criticism that he was apeing jazz genius Charlie Parker’s style. When alto saxophonist Gene Quill was criticised for playing too similar to Parker once by a jazz writer he retorted, “You try imitating Charlie Parker!” Indeed, Stitt began to develop a far more distinctive sound on tenor. He played with other bop musicians Bud Powell and Eddie “Lockjaw” Davis, a fellow tenor with a distinctly tough tone in comparison to Stitt, in the 1950s and recorded several albums for the burgeoning Prestige Records label as well as for Argo, Verve and Roost. Stitt’s playing is said to be at its zenith on these now rare records. Stitt experimented with Afro-Cuban jazz in the late 1950s, and the results can be heard on his recordings for Roost and Verve, on which he teamed up with Thad Jones and Chick Corea for Latin versions of such standards as “Autumn Leaves.”

Stitt joined Miles Davis briefly in 1960, and his sole performance with the 1960 quintet is on the record Live at Stockholm, which featured Wynton Kelly, Jimmy Cobb and Paul Chambers. However, Miles fired him due to the excessive drinking habit he had developed, and replaced him with fellow tenor saxophonist Hank Mobley. Stitt, later in the 1960s paid homage to one of his main influences, Charlie Parker, on the seminal cut “Stitt Plays Bird”, which features Jim Hall on guitar. He recorded a number of memorable records with his friend and fellow saxophonist Gene Ammons. The records recorded by these two saxophonists are regarded by many as some of both Ammons and Stitt’s best work, thus the Ammons/Stitt partnership went down in posterity of the best duelling partnerships in jazz, alongside Zoot Sims & Al Cohn, and Johnny Griffin with Eddie “Lockjaw” Davis. Stitt would venture into soul jazz, and he recorded with fellow tenor great Booker Ervin in 1964 on the enjoyable Soul People album. Stitt would also record with Duke Ellington alumnus Paul Gonsalves during the 1960’s.

In the 1970s, Stitt slowed his recording output, though not by much and in 1972, he produced another classic, Tune Up, which was and still is regarded by many jazz critics, such as Scott Yanow, as his definitive record. Indeed, his fiery and ebullient soloing was quite reminiscent of his earlier playing.

Stitt was one of the first jazz musicians to experiment with an electric saxophone (the instrument was called a Varitone) in the late ’60s. Because the device distorted Stitt’s glorious, uncluttered, pure yet embodied sound, critics and Stitt followers were relieved when he eventually discarded the gratuitous gadget.

Stitt, to his credit, never slowed down, joining the Giants of Jazz (which included Art Blakey, Dizzy Gillespie and Thelonious Monk) on some albums for the Mercury Records label, and recording sessions for Cobblestone and other labels. His last recordings were made in Japan. Sadly in 1982, Stitt suffered a heart attack, and he died on July 22.

Although his playing was at first heavily inspired by Charlie Parker and Lester Young, Stitt eventually developed his own style, one which influenced John Coltrane. Stitt was especially effective with blues and with ballad pieces such as “Skylark”.

This bio was originally published on